How to Choose the Best Lens for My Camera
If you are still using a point and shoot film or digital
camera, your choice of lens speed is limited to the camera. However
for those of you who decided that it is time to move on and upgrade
to an interchangeable lens camera, whether it happens to be film,
or digital, you are no doubt have been looking at the many lens
options available. Large majority of people switch from a point and
shoot to a Single Lens Reflex camera. While overwhelming percentage
of people move to a Digital SLR, Film SLRs are still popular, and
function essentially the same. So, for the purpose of this article,
the two types will be treated as one. Lenses are available in so
many different combinations, and varieties, that discussing them
all is far beyond the scope of this article. However, they all have
one thing in common. They are all broken down into two groups:
slow, and fast. If you are still struggling with choosing your
first lens, or just trying to make the right decision, while faced
with many choices, this article should help.
First of all, the speed of the lens is determined
by the size of the opening, known as the aperture. The larger the
opening the faster the lens is considered to be. Typically, lenses
marked with F4, F3.5, F2.8, and smaller are considered fast, while
lenses marked with a bigger number are slower. I know this may
sound odd, but the smaller the number the faster the lens. If you
are new to shooting with an SLR camera, you are most likely looking
at zoom lenses. Most zooms today have a variable aperture. This
simply means that at the shortest end, the lens is faster than at
the long end. For example, a typical lens a 28-80mm. This lens
zooms from 28mm to 80mm, and it is a very good starter lens. This
type of a lens will typically have a F3.5 aperture at 28mm (short
end), while at 80mm (long end) it will be F4.5, or F5.6, which is
considerably slower than the short end. Typically, the faster the
lens, the more it will cost, and the heavier it will be. Most
casual shooters look for very versatile lenses, and faster lenses
certainly offer more flexibility in certain situations.
Now that we briefly discussed the concept of speed,
lets figure out whether you really need a fast lens. The first
thing that you have to think about is your shooting habits.
Everyone is different, and very much unique. Some shoot landscapes,
some only people, others night scenes, some shoot under water, and
so forth. Typical casual shooter will likely shoot during daytime,
and will likely be shooting portraits, landscapes, city scenes
(during a vacation perhaps), and other fairly undemanding
environments. If you shoot a lot of photos in dim light, like night
clubs, restaurants, museums, outdoors after dark, and other dim
light situations, a faster lens is definitely a boon. However, you
should always keep in mind that most zoom lenses, while faster at
the short end, will be slower at the long end. This is very
important, because if are going to be shooting at the longer end of
the lens, when shopping for a lens, keep this in mind, and you will
save yourself some money. Let me explain. Take two lenses, one is a
28-80mm f2.8(short end) / f5.6(long end), and another lens, 28-80mm
f3.5 / f 5.6. These two have an identical range, however the first
is faster at the short end. This larger aperture does not come
free. You may end up paying 2 times as much as the second lens. If
you are going to be mostly zooming to the long end of the range,
compare and price your lens at that end.
If you are going to be shooting mostly portraits
and other static scenery and plan to use flash, or a tripod most of
the time, you will not need a very fast lens, because the added
speed will likely be of little benefit to you. As such, you will do
just fine with a F4.0 or slower. Action shooters often benefit from
faster lenses, and if you are planning to capture sports, animals,
and other moving subjects, a faster lens may help at times. The
single biggest benefit of a faster lens is the freedom it gives
you, when the light is limited. If you are an action shooter, and
capture a lot of action in dim light, the extra speed will be very
helpful, and allow you more hand-held shooting. Always evaluate how
much you are going to be shooting in different environments. Action
and low light shooters will most benefit from lenses with apertures
of F4.0, and larger. If you think low light, and action will be
very infrequent, and you are comparing two similar lenses, choose
the budget one, which will likely be just a bit slower. Often, a
price of a zoom lens with just a slightly smaller aperture at the
long end will be hundreds or dollars less than a similarly sized
zoom with a slightly larger aperture.
Most modern Digital SLRs can really offset the need
for a fast lens through higher ISO settings, something that Film
cameras do by using a faster film. With Film cameras, you would
need to switch a roll of film to change the ISO speed. If you use a
Digital SLR, switching an ISO is easy, and could be done at any
time. This is a huge benefit, and reduces a need for the faster
lenses. Unless you are planning to make money with your camera
gear, fastest lenses will not be cost effective.
Consider borrowing, or renting a fast lens, in the
range which will meet your shooting needs, and test it in the
different environments in which you will be shooting. If you are
not pushing the limits of the lens, chances are, you will be OK
with a slower, more budget friendly alternative. Make sure that you
know your budget, and how actively you will be involved in
photography. If you plan to trade-up your equipment in a few years,
keep in mind that technology only gets better, and making a big
investment will make more sense if you are going to get a lot of
use out of it.
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